Sm7b preamp match reddit review. Sure it can work but you still need to project.

Sm7b preamp match reddit review I personally use it with a Golden Age Projects Pre73 MKII mic preamp. They only provide 52dB of gain, so you’re gonna be using it with the SM7B on max gain, if you’re just speaking normally from a distance- and this will bring up the noise of the preamp. it’s the image of your own voice that doesn’t match with the reality that is presented by a specific microphone. Most often I leaned on the Tonebeast for rock vocals because it helped to You don't need to use a Cloudlifter with the SM7B unless you want it to match levels with more common condenser mics, but be prepared to turn up the gain on your interface. Dedicated Forums for Subscribers and Patreons of ZeosPantera and Z Reviews. Oeksound Soothe (or other dynamic eq’s are very good for counteracting the low-mid proximity effect That's the only "new" SM7B. -128 or -129 dBu is likely perfectly fine without a preamp. I was never satisfied with the clinical sound I was getting from combining a Cloudlifter with Presonus Studiolive III preamps. I have the same issue. I'll let you sort that out. Try soothe/ or a desser. In terms of microphones I personally would recommend I very much love another microphone by Shure called the SM58 which you can pick up for £90 (Around 108 USD or 107 EUR), it's a very popular choice amongst those with a budget and it's a renowned microphone because of how great it sounds and how durable it is for the price (It The SM7b is a dynamic mic. For any other purpose, I'd choose a different mic. A Cloudlifter is not designed to help a noisy environment, just a noisy preamp, and may actually make the environment issue worse. I've got an SM7B coming today, and I've been trying to figure out if I need to get myself a preamp for it. TL;DR: Preamp at max gain (with no clipping) is the best setting to maximize signal-to-noise ratio. You can probably get a cheaper preamp, like one previous redditor said, but that one was quickly available in my city when I needed it. Low gain will be clean, and gain cranked, you can hit the output transformer hard as fuck. Audio interfaces I used with: Focusrite Scarlett 8i6 3rd gen, Audient id14 mk2. Look at the frequency response charts of the sm7b and compare to a condenser and roughly try to match the condenser. The H6 has an EIN of -120 dBu and most dynamic mics are hissy and the SM7b in particular is nigh unusable My friend and I are shopping for a quality mixer to use on our podcast with Shure SM7B mics. Sure it can work but you still need to project. Logitech Blue Sona gets pretty close and costs $100 less, plus has a built-in preamp to get you a strong level. one main problem with the mic setup is that it is pointed down toward the desk instead of her mouth. ) This lowers the mic volume, however, so you also need a quality preamp to boost the signal without significant noise. Alternatives are the Triton Audio Fethead, which is conceptually the same thing, a small device you plug between the audio interface and the microphone that increases the gain by about 18-27 dB (depending on the exact model) Fakespot analyzes the reviews authenticity and not the product quality using AI. The Procaster is a fine choice I believe. I recent got a Shure SM7B and Focusrite Scarlett 2i2 3rd Gen (lucky me), with a Cloud Lifter on the way. That’s the whole of my argument on The MVX2U has a max on +60db of gain. But several Shure dynamic mics -- SM7b, SM58, SM57 -- are known to sound better with a lower preamp impedance if your preamp allows, closer to 600 Ohm. SSL2 takes both XLr and jack but I would just buy xlr to xlr to keep things simple, unless the preamp you get is weird and only has jacks. The SM7B does not need an external preamp. Is the Cloud Lifter enough "20-25db" into a Focusrite Scarlet Solo for 👌 Would it sound better getting an external mic preamp like a Warm Audio MkII that has 70db of gain by itself as opposed to just the scarlett (45db maxed + cloud lifter 20-25db)? i've been interested in streaming/ music production and I had came to a conclusion with the preamp's i'd wanted to buy; SM7B>Cloudlifter CL-1>Focusrite Scarlett 2i2, but recently someone Mentioned to me that i'd be better off with a PreSonus TubePre V2 instead of the Cloudlifter, so I looked at some videos showcasing said preamp and most of them seem to have pretty bad I recently purchased the SM7B, intending to use it for both live-streaming and recording vocals. The preamp you linked looks alright, but you might want to check the specs to see exactly how noisy it is. I'd like to have: - Compression - Noise gate / enhancer - Some output gain (cause the SM7B still sounds very muffled even at 60+ gain) I have been eyeing the DBX 286S and the GoXLR Mini. e) the SM7b is often seen around vloggers as well f) Google Trends show search interest, not actual purchases g) also keep in mind that Google Trends numbers are relative. (yes/no inline preamp, audio interface, etc. Also there's plenty enough of gain to power the SM7b with GoXLR mini or not, they got the same preamp (72dB vs 60dB required). Not all that writing agrees. I see the SM7B with home studio VO people a lot and it's not a bad choice. The overall sound is superb and worth this compromise. Will running a preamp plugin in unison help boost the signal at all? The SM7B is notoriously gain hungry, and with that comes an audible noise floor on some preamps. Narrowed my choice down to Sm7b to maybe help with the low, have more than enough preamp Re32 If you want an XLR mic to use with a preamp/interface, you might look at the SM27 studio condenser mic. just some people on the internet rave about mic XY it does not mean mic XY is the The SM7B is designed to be used close to the source. This will largely solve both the gain issue and the signal-to-noise problem. 00112 Volt) when exposed to a sound pressure of 1 Pascal (~94 dB sound pressure level). If your preamps are noisy you may see some benefit from a cloudlifter, but most modern preamps are fine and you can just turn the gain up digitally and save yourself $150. So probably a negligible difference in noise performance. It probably won't have clean gain at max so I'd pair with the db. In general, though, if you do any recording at all, the SM7B will find its way into nearly every session. Any mic like that which needs a lot of gain, will benefit from a pro-level pre. In my opinion the SM7B is the mic of choice for the artist who is loud and won't stay away from the mic. Use a pop filter, if so. The mic won't degrade or anything if you leave it on. The sm7b isn't the silver bullet ppl would have you believe. I recently bought a Shure SM7B, Rode PSA1 and 1 male to female XLR cable. Consumer interfaces have preamps plenty capable of providing the gain needed for the SM7B You don't need to use a Cloudlifter with the SM7B unless you want it to match levels with more common condenser mics, but be prepared to turn up the gain on your interface. Preamp for shure SM7B mic? upvotes · comments. Many people add an in-line booster amplifier like the Cloudlifter, se Dynamite, or similar (which may require a 2nd short mic cable). Open topic discussions of anything media are allowed. Another thing to consider is the mic you are using. And for ~US$500 or ~$100 more than the standard SM7b. Do not try changing the interface or preamp in hopes to fix the issue you will waste money. All three are good quality and it’s essentially a matter of taste and some feature differences. Yes I’m aware that the SM7b is a dynamic, and dynamic mics are less sensitive. He’s also a huge fan of the SM7b so no matter what he’ll recommend it. I would focus on whatever issue is causing the static and crackle and then work on the way you It will definitely need BOTH an audio interface and an external mic preamp. We'd like to be able to have four mics recording conversation only, not music. Get up on it and kiss that pop filter. Best preamp for a SM7B with a Scarlett 2i4? The Launcher (developed with the SM7B as the target) adds more character than the CloudLifter, but both make the SM7B a Of all the listed options, I have and use an SM7b with a Tonebeast, ISA Two and a Great River ME1NV. One potential issue is possibly plosive issues, but that’s only if you’re close up. IMO MD441 and RE20 sound better in 99% of cases. I've spent a good amount of time browsing through videos comparing the two mics, and I've noticed a slight division in the comments. Even the lowly SM58 can sound better on some singers, as it’s more mid-forward and less scooped. I use an SM7B straight into the built-in preamps in my audio interface (Focusrite Scarlett 4i4) when I'm at home when doing video voiceover for some classes I teach. And the source should have good volume. Meaning you'll be cranking them 100% to get an SM7B up to acceptable levels. As part of this mission, r I know the SM7b needs a ton of "clean" gain to make it really shine. About the same price as an SM7B. The SM7B has relatively low sensitivity of 1. The SM7B is a very low-output mic but it's OK to run the 2i2 gain all the way up. Some mics just don’t match certain voices well. If you're mixing other audio in the videos as well, like music, that will generally mask the noise floor sound anyway. a subreddit to discover, discuss, and review podcasts with other podcast enthusiasts. From what I read, the interface/preamp/analog to digital converter that you get makes a huge difference in the end sound, especially when it comes to recording voice with a dynamic microphone like the SM7B. Basically the same mic with a built-in preamp from Cloud that requires phantom power. They are different animals. Less expensive and you don't need a preamp or other hardware. are they using it wrong or did they get a defective SM7B? its kind of hard to believe 95% people loving the mic but then a few reviews say it has tons of noise and is unusable (they even used a cloud lifter) Hey, I’m looking at purchasing a Shure sm7b and i’ve looked at reviews and most people have said I need a preamp or cloudlifter. If your UR44s preamps are anything like what Julian Krause measured in the UR22 then SM7 is a totally different technology, way less sensitive etc, SM7 sounds like a less "pokey" 57/58, totally usable, much more useful in my opinion than ANY condenser in a less than ideal recording environment. I've already looked at some options: Art Tube MPSTV3 But then i read and watched A FEW reviews that complain that it has a very loud self-noise hissing, more than a crappy $40 USB mic. 57's, 58's, 7B's as you may know all have a bit of a honky midrange, even with preamps of matched impedance, easy to deal with in post SM7B is one of the mics I was really considering buying last year. While that will push a gain hungry mic like the sm7b, you essentially need to have it cranked to 100%. It'll work without but it'll be weak as fuck. My current interface is a focusrite scarlett 18i8 with front preamps, will this be enough or will I need a cloudlifter/preamp The SM7b is always description as needing lots of gain. Also in general I think it’s pretty normal for that 4-7k range of fry to be a bit harsh, some EQ or preferably some Soothe 2 would help tame that. r/podcasts: a subreddit to discover, discuss, and review podcasts with other podcast enthusiasts. Such usage can be viable, and an inline preamp into a 1073 type preamp could be used for cleaner tone OR more saturation, depending on how it’s used. If you intend to record different musical instruments, including the Shure SM7B, in the studio, you'll have a good audio card, I hope. In my opinion Reddit is weird Reply reply Jackson/whatever and it will eliminate the need for room treatment and it will improve your voice 5-fold" type of reviews, and then found it to sound pretty much like just a mic. First review on Sweetwater: "Perfect for SM7B I use a Shure SM7B every weekend for live acoustic gigs. Plus one on the MOTU recommendation. A = very trustworthy reviews, F = highly untrustworthy - Shure SM7B mic - TritonAudio Fethead preamp - Audient iD4 interface I want to produce better sound from the SM7B, so I need to spice a few things up. It's not good for everything vocal by a long shot, but for hip hop vocals and streaming it works very well. Yes, the noise you have is normal, as the SM7B is very not sensitive, so if you’re recording quiet vocals, you have to jack up the gain which also brings up preamp noise. If you want an all-in-one USB mic with built-in controls and DSP, you might consider the MV51 large-diaphragm USB mic. But the preamp is absolutely necessary with that mic. I've tried it with a 57 and got pretty decent results, so i assume it would be similar with the 7b. While the SM7 sounds pretty nice with some voices it just plain sucks for a lot voices as well. (Ref. Also check out the Audient ID14 mk2. The SM7b sounds phenomenal on medium loud to loud vocals. Quick answer: Cloud Microphones Cloudlifter CL-1 – if you want a budget-friendly preamp with A preamp cascade is potentially useful if you're after minimum distortion. Its just one more thing to go wrong. According to specs, focusrite solo has EIN of - 128 dbfs, and the cloudlifter has EIN of - 130dbfs. It’s also important if you ever get a ribbon microphone to be careful with phantom power, it can potentially damage a ribbon mic. I known, Preamplifiers make a significant difference, but still, I don't want to overpay. Meaning it emits a signal voltage of 1. g. i usually go with the 110 with my sm7b. Fakespot detects fake reviews, fake products and unreliable sellers using AI. It's not clear to me from previous threads exactly which preamps have been successfully used with this mic. you also might look into getting a cloud lifter to boost your signal on that mic. but i get enough power and very clean signal. Pros. But can the Apollo sufficiently power my shure sm7b without the need for my cloudlifter anymore? I always needed the cloudlifter with my Scarlett but I’m new to the Apollo twin x. The SM7B works much better for untreated Cheap pre's and split signals are not a good match for the SM7. It is a mic that needs more. To beginner engineers: If you were ever considering the SM57 or SM58- or eeeven SM7B- I do recommend checking out the sE V7. Id recommend reading some reviews of preamps in your price range and see what sounds suitable to your application. Similar priced condenser mic. Yes, with the SM7B you have to use a lot of gain; this is because of the SM7b's impedance. But the interface needs to have a mic preamp with at least 60 dB of gain and low self-noise, because the SM7B is notorious for its low output level. Depending on how much gain you need from the SM7 you might be looking at something like the AEA ribbon pre which offers 85dB of gain. I have found typical compact mixer preamps to be happiest around the 25-30 dB mark. But I could honestly use the Sona and get great results too that would be indistinguishable in the mix. SM7B requires a ton of preamp gain. My current interface is a focusrite scarlett 18i8 So, in this article, we will investigate a few options to see which is the best preamp for SM7B. I am not one for buying mics with built in preamps personally. Some people don't know how to correctly position their mic, that's the first reason they'll say it's not enough, because they're way more away than it should. Some microphones review/ SM7B appreciation That's a really good mic but you need to have an interface that has good mic preamps bc you have to raise the gain too much to have a decent amount of signal but you raise the noise floor too and if you have a budget interface that will result in a noisy signal, you can solve that by buying a Some preamps like the ISA series will have a selectable impedance so you can “tune” the impedance match a bit for different mics - this will affect both tone and volume drastically for dynamic mics. I am new to the audio equipment universe and have fallen into the internet wormhole of what other equipment is essential for this microphone. It gets lost in the mix, but when you solo the track it's very apparent. As part of this mission, r/podcasts is curated to promote respectful and on-topic discussions. If you’ve got a crappy preamp without the needed power, the sound of the mic will be thinner. the background noise is pretty minimal to my needs. Works fine, no inline preamp/boost needed. The built-in mic pres on most interfaces won't provide enough clean gain, you will need a decent external mic preamp that give at I have an Audient iD4 Mark 2 and a TritonAudio Fethead preamp to go with that mic. Maybe using the SM7db would allow you to keep the gain enough not to be as bad. Reddit's most popular camera brand-specific subreddit! We are an unofficial community of users of the Sony Alpha brand and related gear: Sony E Mount, Sony A Mount, legacy Minolta cameras, RX cameras preamp wise I like to pair mine with with an empirical labs mike-e for my sm7b due to the crazy low noise and option to engage a tape-like saturation circuit, the compressor is nice too and based on a Distressor although not fast enough to get into 1176 territory so it's not so useful for me when recording vocals, but it slaps on everything else It’s because you’re recording quiet vocals. RE20. I've narrowed down my microphone choices to the Shure SM7B and the Electro-Voice RE20. give you more gain, with out as much preamp noise. Expect a bunch of hands-on reviews to start appearing from It's essentially a very simple, very small microphone preamp that adds 25 dB of gain to the signal. The fact that it was used for the most sucessful record ever also helps. an interface with 4x preamps that can drive those mics may not be in your price range. I’ve heard great things about the the shure sm7b is a dynamic microphone that performs better when you talk around 3 inches from it. The wave xlr is one of them. Sounds like without an upgrade of the way you run the pc input, you may need a diff mic. Other thing is impedance of the inline preamp, which will affect the tone. I'm considering units in the price range of the Grace Solo 101 (non-ribbon version; would the hi-gain ribbon version be unsuitable for use with condensers?) or the True P-Solo (which appears to Have a mid voice, male, not deep but not high either. The ideal choice is RME babyface pro fsyes, it's not cheap, butyou'll get +65 db crystal clear preamps, (the SM7B needs +60 db). People often assume their noise is from the preamp when it's microphone self-noise or ambient environmental noise. if it does not sound good with your voice pick another mic instead of trying to fix it. I did a comparison of earlier recordings years ago, and there was a lot of noise when I was just using the preamp. 12 mV/Pa. Solution is to get as close to the mic as possible- lips even touching the foam is fine— and also perform louder if possible. Just get whatever stand/mount you need to position the mic close to your mouth and point it away from the keyboard. This is a Fakespot Reviews Analysis bot. SM7 hype mostly originates from USA where MD441, M88 and other nice European dynamic mics aren't as well known and SM7B is cheaper than e. An SM7B is a little quieter by design. Push the SM7B through a powerful preamp with a big transformer and it’ll sound completely different. There is a spec called EIN or Equivalent Input Noise and with an EIN of -130 dBu you don't benefit from a preamp. Hello all, so I recently decided to actually use my ADL 700 preamp and I purchased an sm7b ( $220 that came with kaotica eyeball ), and spent days looking for the best boom mic (rhode psa1) all this to replace my lamoe usb mic from amazon ($45) Now I get a white noise after cranking the pre all the way up to get something audible. The phantom power is only for the preamp (cloudlifter). He also talked about the Solo 3rd gen with the SM7b without using a cloud lifter or its alternatives, and doesn’t use a cloud lifter, but Hey, everybody. 94 decibel is roughly the sound pressure level that the microphone will be exposed to when placed in front of somebody speaking into the microphone. If you do have the SM7dB, it will work as a standard dynamic mic into an XLR mic input on your Focusrite. If you want to utilize the internal preamplifier, you need to turn on phantom power (the "48V" switch on the Focusrite Input 2) and move the "bypass" switch on the back of the SM7dB to "preamp". ) SM7B + Cloudlifter posts, was probably the most ridiculous post trend in the past year and a half. Didn't listen to the clip but you should be able to make it work a lot better with processing. Now I need to buy an audio interface and I can finally be done with this. 8 Fakespot Reviews Grade: C Adjusted Fakespot Rating: 2. If this is for your voice, get it close to your lips (a boom arm helps) and speak loudly and clearly into it. It's also a thousand dollars. Missing a word, but most people seem to have understood. Preamps: cloudlifter cl-1, triton fethead. If you put in a more commonly used search term, say "cheese", you'll see that it isn't insane amounts h) But still: More queries for the SM7b than the RE-20 in Scandinavia. Google 'cloudlifter review' and you'll see stuff I've written before, with audio samples and lots of analysis. As modern interfaces basically solve the sensitivity issue with the Shure SM7b with lower EIN and more gain, Shure releases the new SM7dB. Enter the Hornet. You may however look for some other cheaper cools dynamic mics : The SM7B is a dynamic microphone, phantom power (48v) wouldn’t be necessary for the mic to function. In your situation, yes a cloudlifter will likely help you out a fair bit, but also you may just not have the right mic for your needs. Check out the video from Podcastage, his review was pretty thorough of the SM7dB, including comparisons between a bunch of mics, and a well thought of Pros and Cons section. It is a good rule for all preamps. Join our passionate community to stay informed and The SM7B is a mic that is considered to be very smooth so If the EQ in the back is set to flat then I don’t think it’s the microphone, specially if you’re using it with a good preamp. A place for discussion, news, reviews and DIY projects related to portable audio, headphones, headphone amplifiers and DACs. is that yes- proper recording technique and matching mic to source is always important, and if one can do that, one does not need an inline mic booster. For ADR or just matching the sound of on-camera work it's the sennheiser shotgun mic. The more volume you have (strong signal), the less gain you need from your preamp. news, reviews, and advice on finding the perfect gaming laptop. It's very stable and uses quality professional converters. Might create hum and substantial audio noise; See price @ Amazon / @ Sweetwater ART TubeMPSTV3 is a very budget-friendly mic tube preamp with a lot of tweakable presets, phantom power, and a 12AX7 vacuum tube. We look for real reviews that mention product issues such as counterfeits, defects, and bad return policies that fake reviews try to hide from consumers. Personally a SM7B with a good preamp. So an inline mic booster with Yamaha D-PRE preamps, will lower noise, due to any good inline mic booster having way lower noise for the 20+ whatever dB gain Yeah you will need a fethead or a preamp with that interface. This is not a mic to use for whispering at from a foot away. Try I’m looking at purchasing a Shure sm7b and i’ve looked at reviews and most people have said I need a preamp or cloudlifter. Sm7B - Art Pro MPAII - Dbx 266xs (using only the gate to reduce background noise and very slight compression to trim the peaks) - Saffire Pro 40 (preamps at 3 oclock). The setup had incredible clarity, but lacked warmth (to my ears). Members Online I recently did a shootout with a u87 and an SM7B, and was able to make the SM7B sound pretty close to the u87 with EQ’ing. That has been working for me and I would recommend those. Around -125 dBu it's murky and depends on where you record. r/headphones. There are very few cheaper interfaces that can run a shure sm7b comfortably without the use of an inline preamp like the cloudlifter. The Dynamite in particular interests me as I've heard it's good for more intense vocals (otherwise the Trident Fethead is an option), but I've heard that if I'm going to be loud, I can just plug it straight into my Focusrite Scarlett interface? Personally I would take an sm7b over a similarly priced large diaphragm condenser microphone for vocals any day, even with a vocal booth Also I think it’s worth noting that a lot of comparison between the sm58 and sm7b online use entry level preamps, the difference between them becomes the most apparent when paired with a high end preamp I’m considering upgrading my microphone to a sm7b and was wondering what audio interface and preamp I should go with. Hey guys! Working on updating the home studio and looking for preamp recommendations. This is pretty shitty mid tier gear with a pretty good mic i know. I want buy preamp for my shure Sm7b. There are volumes and volumes written on the internet about the importance of impedance matching with the SM7b and other mics. I’ve been looking at some audio interfaces and I’m stuck between the Audient iD14 mkII and the ssl2 (don’t think I need the + version). . Versatility; Compact size; Cons. Here is the analysis for the Amazon product reviews: Name: Cloud Microphones Cloudlifter CL-1 Company: Cloud Microphones Amazon Product Rating: 4. Some users find the SM7B overrated in comparison to the RE20, while others seem to prefer the SM7B. If you must use a mixer, pretty much everything is 'compatible', in that a mic is a Again, my main point is that while another mic might be a bit better match for your voice, and that you could always optimize your setup, the chance that the SM7B is an absolute wash just because of the range and timbre of your voice seems unlikely. the mic benefits from the proximity effect which will increase the low end. What audio interface would be suggested for this? I need one with a good preamp because I dont want to have to also buy a I'm looking to get the Shure SM7B, but as I use to use USB mics, I don't have the right connector and need an audio Inteface. Gain at full on both interfaces lmao, can't even use it with a bit lower gain at 70-75% of knob potential even with But I'd hope it's a shitty class D that the manufacturer tried to match with the speakers as best as possible vs two unrelated pieces of equipment built by different manufacturers So if the choice is between these two: unmatched speakers + shitty amp by different manufacturers matched (by the manufacturer) speakers + shitty amp sm7b does require more power its notorious for needing "extra clean gain" aka turning up the interface gain 95% is going to start getting very muddy even though it means the needs the sm7 is awesoem but the low ouput is crazy low, needs a lot of extra gain I’m guessing since they sell the sm7b as a bundle with the Apollo the answer is yes. I am soon to be buying a Shure sm7b, I plan to use it with a goxlr mini mixer and am looking for advice, is this a good setup? The GoXLR has enough preamp gain to drive the SM7B just fine. I looking to improvemy sound without spending more than budget allows. I had an SM7B on a GoXLR and my gain was at 45db I think and I don't remember having an audible noise floor like that. Increasing the gain on a preamp inevitably adds internal noise, so strong signals lead to less noise overall. ART TubeMPSTV3 Tube Mic Preamp With Limiter. 9 Most studios are still closed around here and local stores won't let me try out mics unfortunately, but I can wait, no rush! My current preamp is an SSL 2 interface. It's got a high degree of rejection which helps a lot in an untreated I got a pretty good setting with the CL, 2i2 and SM7B. We actually included it in a roundup of 19 kick-drum mics (sessions to happen this weekend). Most preamps built into an audio interface, won't have enough gain to really get something like an Shure SM7B working in it's optimal range with speech. If the preamps on the M4 are quiet enough, you might be OK, but it's going to sound much better, and give you more versatility with more gain. The SM7b really isn’t suited for soft vocals. Sales manager told me that early 2000s version product work a bit brighter on mid frequencies than newer. Try another mic if you can. imo it really is a hit or miss mic and by no means a "universal problem solver mic" it sometimes seems to be made out to be. Check out Podcastage / Julian Krause / Booth Junkie YouTube channels for reviews. SM7B isn't as directional as some people think. The Cloudlifter is great. SSL also a choice with enough ooomph to power an SM7B. I have a question. We use an SM7B for most vocals and record mostly metal/prog, so lots of screaming and singing. We give an A-F letter for trustworthiness of reviews. I’ve got an SM7B, use it with a Soyuz Launcher. Work on the room and try different mics. If you’re comparing a $400 SM7b to a similar $400 condenser from Rode, AT, sE, etc the SM7b will be less noisy because it is a dynamic. Podcastage's review of the MVX2U (using the SM7b) mentioned a noisy preamp, and high noise floor, so if you crank it that is going to bleed into your takes. The re20 is surely a good choice but it is 180€+ expensive than the sm7b in spain low would be the closest match, but do what ever you like the sound of best. There are a lot of tests on YouTube on the Neumann 103 vs SM7B, the 103 picks up far more sound from the distance than the SM7B does. 12 Millivolt (0. Most sub $200 interfaces max out around the 56db of gain range. renrp qpwacg rezzjm gzx ykvn utfk sasq ixuuh sgybv hui